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Piano concerto no. 2 & piano pieces

Nobuyuki Tsujii / Yutaka Sado

Piano concerto no. 2 & piano pieces

Format: CD
Label: Challenge Classics
UPC: 0608917237122
Catnr: CC 72371
Release date: 07 January 2011
1 CD
 
Label
Challenge Classics
UPC
0608917237122
Catalogue number
CC 72371
Release date
07 January 2011
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

There is no piano concerto more beloved than the Second Piano Concerto by Rachmaninoff. When Nobuyuki Tsujii was in the Van Cliburn Competition this masterwork was one of the pieces he played and the audience loved it and love him! In 2009 James Conlon and the Fort Worth Symphony Orchestra played it together with Nobuyuki. In this magnificent recording the blind pianist joins conductorr Yutaka Sado and the Deutsches Symphonie Orchester Berlin. It is unbelievable that the pianist learned the formidable scores of the Second Piano Concerto by Rachmaninoff by ear and it is not a surprise that Nobuyuki Tsujii has become a worldwide sensation sice the after the Van Cliburn Competition and his winning of the Goid medal!

Rachmaninoff just had a rough and hard time before he composed the Second Piano Concerto:" ...after having spent three years of creative hardship, without composing anything, but composing the concerto not only finally got him out of his depression but also lifted his spirits and restored his confidence in his creative abilities. Even more, the first complete performance in October/November 1901 brought him great and lasting success. No wonder, as most in this romantic work comes down to the overwhelming powers of great and passionate melodies, searching harmonies and a clear demonstration of his flawless craftsmanship." (source: linernotes Aart van der Wal)

"The Liszt recital covers more than just one aspect of this composer’s multi-faceted musical genius, although it cannot be denied that hardly any composer evoked more controversy than Liszt, the ‘accusations’ ranging from the vulgar to the flamboyant. Liszt, the innovator and musical ‘exhibitionist’ as well as the poet obsessed by beauty, the man between earthiness and almost metaphysical spirituality. But he was even more than that, such as the dazzling arranger of works by other composers and the highly illuminating creator of the most magnificent and virtuosic of all opera paraphrases." (source: linernotes Aart van der Wal)
Prachtige pianomuziek van opzienbarende Japanse musici
Het Piano Concerto no. 2 van Sergei Rachmaninoff, een compositie voor piano en orkest, is zonder twijfel het meest geliefde concert ter wereld. In deze opname uitmuntend uitgevoerd door de Japanse pianist Nobuyuki Tsujii en dirigent Yutaka Sado met het Deutsches Symphonie-Orchester Berlin. De muziek van Rachmaninoff, samengebracht met de muziek van Franz Liszt, zorgt voor een album om van te genieten. "Een aangename registratie die een natuurlijk voorkomen heeft." Emile Stoffels, Luister, april/mei 2011.

Het 2e pianoconcert is het meest populaire concert van Rachmaninoff (1873-1943), de muziek is vaak te horen in films. Nadat de componist veel kritiek kreeg op zijn 1e symfonie, had hij een zware tijd achter de rug. Maar dit 2e concert zorgde ervoor dat hij uit zijn depressie geraakte en weer ging geloven in zijn creatieve vaardigheden. De 1e opvoering in 1901 werd bijzonder goed ontvangen en bracht hem groots en blijvend succes. De critici waren lovend en Rachmaninoff vierde grootse triomfen in Europa en Amerika. Rachmaninoff stond erom bekend dat hij een plaaggeest was. Eens tijdens een concert, fluisterde violist Fritz Kreisler, die de draad kwijt was, naar Rachmaninoff, die hem begeleidde op de piano: "Waar zijn we?". Zonder een noot te missen antwoordde de componist: "In Carnegie Hall".

De Japanse pianist Nobuyuki Tsujii is vanaf zijn geboorte blind, maar dat was voor hem geen belemmering om een glanzende carrière op te bouwen. Het is ongelooflijk dat hij op gehoor zijn partituren uit het hoofd leert. Het 2e pianoconcert van Rachmaninoff was een van de stukken, die hij speelde tijdens de prestigieuze Van Cliburn International Piano Competition. Hij won goud, en werd daarna een wereldwijde sensatie. "Ook in de solostukken van Liszt overtuigt Tsujii, rijp en zelfverzekerd als hij is, als vertolker die van Liebestraum geen smartlap maakt en in Mephisto Walz en Hungarian Rhapsody betovert met zijn adembenemende virtuositeit." Pizzicato februari 2011.

De Japanse dirigent Yutaka Sado studeerde in 1987 onder Leonard Bernstein en werd daarna ook zijn assistent tijdens Bernsteins concerttour met het Schleswig-Holstein Festival Orchestra. Hij won vele prijzen en is in Japan artistiek leider van het Hyogo Performing Arts Cente, dat hij mede oprichtte in 2005. Hij treedt regelmatig wereldwijd op als gastdirigent.
Der 21-jährige japanische Pianist Nobuyuki Tsujii wurde 2009 mit der Goldmedaille des van Cliburn Wettbewerbs geehrt. Von Geburt an ohne Augenlicht, muss Tsujii sich sein Repertoire allein nach dem Gehör erarbeiten. Gemeinsam mit seinem Landsmann Yutaka Sado und dem DSO Berlin legt er nun eine atemberaubende Aufnahme von Rachmaninoffs 2. Klavierkonzert vor, ergänzt durch drei Klavierstücke von Franz Liszt.

Artist(s)

Yutaka Sado

Yutaka Sado was born in Kyoto (Japan) and attended the Kyoto City  University of the Arts. In 1987 he studied with Leonard Bernstein and Seiji Ozawa at the Tanglewood Music Festival and became Bernstein’s assistant during his concert tour with the Schleswig-Holstein Festival Orchestra. He won the Premier Grand Prix of the 39th International Competition for Young Conductors Besançon in 1989 and later the first prize in the Leonard Bernstein International Competition (1995). Sado assisted Bernstein and Michael Tilson Thomas in founding the Pacific Music Festival in Sapporo (Japan), where he appeared as permanent conductor and guest conductor. In 1993 Sado was appointed chief conductor of the Orchestre des Concerts Lamoureux; he was soon able to tie in the orchestra’s reputation with...
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Yutaka Sado was born in Kyoto (Japan) and attended the Kyoto City University of the Arts. In 1987 he studied with Leonard Bernstein and Seiji Ozawa at the Tanglewood Music Festival and became Bernstein’s assistant during his concert tour with the Schleswig-Holstein Festival Orchestra. He won the Premier Grand Prix of the 39th International Competition for Young Conductors Besançon in 1989 and later the first prize in the Leonard Bernstein International Competition (1995). Sado assisted Bernstein and Michael Tilson Thomas in founding the Pacific Music Festival in Sapporo (Japan), where he appeared as permanent conductor and guest conductor. In 1993 Sado was appointed chief conductor of the Orchestre des Concerts Lamoureux; he was soon able to tie in the orchestra’s reputation with the legendary era of Igor Markevitch. In 1999 he was appointed First Guest Conductor of the Orchestra Sinfonica di Milano “Giuseppe Verdi”. Sado is a regular guest with leading orchestras including the Orchestre de Paris, the Orchestre National de France, the Orchestre Philharmonique de Radio France, the Konzerthausorchester Berlin, the Bavarian Radio Symphony Orchestra, the Sächsische Staatskapelle Dresden, the Gewandhausorchester Leipzig, the Deutsche Symphonie-Orchester Berlin, the Orchestra Sinfonica dell’Accademia Nazionale di Santa Cecilia, the Orchestra Sinfonica Nazionale della RAI and the Orchestre de la Suisse Romande. In his home country he has been the artistic director of the Hyogo Performing Arts Center since 2005.

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Nobuyuki Tsujii

Blind since birth, Nobuyuki Tsujii was joint-winner of the Nancy Lee and Perry R. Bass Gold Medal at the Van Cliburn International Piano Competition in 2009. Since winning the competition he has appeared at the Klavier-Festival Ruhr, the Aspen Music Festival, and the Ravinia Festival, given recitals in Washington, Indianapolis, Forth Worth, Houston and Abu Dhabi, and embarked on a major recital tour of Japan. Future plans include appearances with the BBC Philharmonic, Orchestra della Svizzera Italiana, Moscow Virtuosi Chamber Orchestra, and recitals in Berlin, Belgrade and Basel. At the age of 12, Nobuyuki Tsujii made his debuts at Tokyo’s Suntory Hall and Carnegie Hall’s Weill Recital Hall. Now 21, he has appeared as soloist with all the major Japanese...
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Blind since birth, Nobuyuki Tsujii was joint-winner of the Nancy Lee and Perry R. Bass Gold Medal at the Van Cliburn International Piano Competition in 2009. Since winning the competition he has appeared at the Klavier-Festival Ruhr, the Aspen Music Festival, and the Ravinia Festival, given recitals in Washington, Indianapolis, Forth Worth, Houston and Abu Dhabi, and embarked on a major recital tour of Japan. Future plans include appearances with the BBC Philharmonic, Orchestra della Svizzera Italiana, Moscow Virtuosi Chamber Orchestra, and recitals in Berlin, Belgrade and Basel. At the age of 12, Nobuyuki Tsujii made his debuts at Tokyo’s Suntory Hall and Carnegie Hall’s Weill Recital Hall. Now 21, he has appeared as soloist with all the major Japanese orchestras including NHK Symphony, Yomiuri Nippon Symphony, Tokyo Symphony, Japan Philharmonic and Orchestra Ensemble Kanazawa, and worked with conductors including Vladimir Ashkenazy, Yutaka Sado and Vladimir Spivakov. Nobuyuki Tsujii has made a number of recordings for Avex Classics including Rachmaninov’s Piano Concerto No. 2 with the Deutsches Symphonie Orchester Berlin and Yutaka Sado, an all-Chopin recital disc, and a live DVD recording of his 2008 solo recital at Suntory Hall. He currently participates in the performer’s programme at the Ueno Gakuen College of Music in Tokyo.

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Composer(s)

Franz Liszt

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an...
more

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an advocate of both old and new music.
Together with his son-in-law Richard Wagner, he was in the forefront of the Romantic movement and anticipated the musical revolutions of the early 20th century with his new composition techniques.


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Sergei Rachmaninoff

Sergei Vasilievich Rachmaninov was a Russian pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the classical repertoire. Born into a musical family, Rachmaninov took up the piano at age four. He graduated from the Moscow Conservatory in 1892 and had composed several piano and orchestral pieces by this time. In 1897, following the critical reaction to his Symphony No. 1, Rachmaninoff entered a four-year depression and composed little until successful therapy allowed him to complete his enthusiastically received Piano Concerto No. 2 in 1901. After the Russian Revolution, Rachmaninov and his family left Russia and resided in the United States, first in New York City. Demanding piano concert tour schedules caused...
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Sergei Vasilievich Rachmaninov was a Russian pianist, composer, and conductor of the late-Romantic period, some of whose works are among the most popular in the classical repertoire.
Born into a musical family, Rachmaninov took up the piano at age four. He graduated from the Moscow Conservatory in 1892 and had composed several piano and orchestral pieces by this time. In 1897, following the critical reaction to his Symphony No. 1, Rachmaninoff entered a four-year depression and composed little until successful therapy allowed him to complete his enthusiastically received Piano Concerto No. 2 in 1901. After the Russian Revolution, Rachmaninov and his family left Russia and resided in the United States, first in New York City. Demanding piano concert tour schedules caused his output as composer to slow tremendously; between 1918 and 1943, he completed just six compositions, including Rhapsody on a Theme of Paganini, Symphony No. 3, and Symphonic Dances. In 1942, Rachmaninov moved to Beverly Hills, California. One month before his death from advanced melanoma, Rachmaninov acquired American citizenship.
Early influences of Tchaikovsky, Rimsky-Korsakov, Balakirev, Mussorgsky, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.[3] The piano is featured prominently in Rachmaninov's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.

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